NOT ALL ON SHOW: Hinterglasmalerei & Verre églomisé 4-5/2025: ‘Organ Painting’, ‘Bamboo Organ Painting’, ‘Worm Organ Painting’, ‘Intarsia – View’, ‘Intarsia – Shut’, ‘Northern Renaissance Social Abstract Demonstration’, ‘Intarsia – Whitefly’; ‘Pig, tulip, pig, tulip, pig, tulip’; ‘Scholar – Melon’.Oribe 2-5/2025: ‘Melon – Life On Ship’, ‘Abilità Negativa’ (three versions), ‘Tray with Two Capped Heads’, ‘Tray with Clouds’, ‘Gongshi with Carbonised Panis Quadratis’; Shino Americàin & polychrome 2-5/2025 another ‘Caterpillar Engine’, two ‘Flower Baskets’, ‘Tray with Head’, ‘Melon – Life On Ship’

6 June–12 July 2025

Private view: June 5th, 6-8 pm

PRESS RELEASE

NOT ALL ON SHOW:

Hinterglasmalerei & Verre églomisé 4-5/2025: ‘Organ Painting’, ‘Bamboo Organ Painting’, ‘Worm Organ Painting’, ‘Intarsia – View’, ‘Intarsia – Shut’, ‘Northern Renaissance Social Abstract Demonstration’, ‘Intarsia – Whitefly’; ‘Pig, tulip, pig, tulip, pig, tulip’; ‘Scholar – Melon’. Oribe 2-5/2025: ‘Melon – Life On Ship’, ‘Abilità Negativa’ (three versions), ‘Tray with Two Capped Heads’, ‘Tray with Clouds’, ‘Gongshi with Carbonised Panis Quadratis’; Shino Americàin & polychrome 2-5/2025 another ‘Caterpillar Engine’, two ‘Flower Baskets’, ‘Tray with Head’, ‘Melon – Life On Ship’

 

 

 

Aaron Angell (b.1987, London), graduated from the Slade School of Fine Art (2011), He lives and works out of London, United Kingdom. Angell has exhibited internationally, with recent solo presentations including: Hornet…, Holburne Museum, Bath (2021) Shoes, Rob Tufnell, Cologne (2018); Plumb Poltergeist, Art Exchange, Essex (2018); Aaron Angell, Gallery of Modern Art Glasgow, Glasgow (2017) ; Why I built the Cloaca Maxima, Rob Tufnell, Cologne (2017); The Death of Robin Hood, Kelvingrove Art Gallery and Museum, Glasgow (2016); Variations on the Chaldon Doom, Markus Lüttgen, Cologne (2016);  Grotwork, Studio Voltaire, London (2015). Recent group shows include: Natura Morta, ILENIA, London (2024); Strange Clay, Hayward Gallery, London (2022); Artifices Instabiles, Nouveau Musée National de Monaco, Monaco (2020); The land we live in, the land we left behind, Hauser & Wirth, Somerset (2018); That continuous thing: artists and the ceramic studio: 1920-Today, Tate St Ives, Cornwall (2017); The British Art Show 8, Leeds City Art Gallery, Leeds (2016); Potteries Thinkbelt, Rob Tufnell, London (2015); ‘Pool’, Kestnergesellschaft, Hanover (2014); As a merman I should turn to be, Laura Bartlett Gallery, London (2014); A History of Inspiration, Palais de Tokyo, Paris (2013); Hides on All Sides, Torrance Shipman Gallery, Brooklyn (2013).

SELECTED WORKS

Aaron Angell

Melon – Life On Ship (1), 2025

Oribe

Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, post-firing acid soak

42 × 62 × 33 cm

16 1/2 × 24 3/8 × 13 in

AA016

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Aaron Angell

Caterpillar Engine 13, 2025

Shino Americàin

Reduced English stoneware with iron and feldspathic inclusions, carbon trap shino and polychrome glazes

39 × 70 × 35 cm

15 3/8 × 27 1/2 × 13 3/4 in

AA023

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Aaron Angell

Abilità Negativa 3, 2025

Oribe

Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak

35 x 59 x 32 cm

13 3/4 x 23 1/4 x 12 5/8 in

AA019

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Aaron Angell

Tray with Two Capped Heads, 2025

Oribe

Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak

35 x 52 x 33 cm

13 3/4 x 20 1/2 x 13 in

AA020

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Aaron Angell

Tray with Clouds, 2025

Sang de boeuf Oribe

Reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak

33 x 54 x 39 cm

13 x 21 1/4 x 15 3/8 in

AA021

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Aaron Angell

Gongshi with Carbonised Panis Quadratis,

2025

Oribe

Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak, carbonised bread addition

33 x 59 x 41 cm

13 x 23 1/4 x 16 1/8 in

AA022

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Aaron Angell

Flower Basket 3, 2025

Reduced English stoneware with iron and feldspathic inclusions, carbon trap shino and polychrome glazes

32 x 41 x 37 cm

12 5/8 x 16 1/8 x 14 5/8 in

AA024

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Aaron Angell

Tray with Head, 2025

Reduced English stoneware with iron and feldspathic inclusions, reconstructed song ‘tianmu’ and polychrome glazes

23 x 53 x 34 cm

9 x 20 7/8 x 13 3/8 in

AA025

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Aaron Angell

Bamboo Organ Painting, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic on glass with gelatin silver print, steel fixtures

50 × 70 cm

19 3/4 × 27 1/2 in

AA008

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Aaron Angell

Intarsia – view, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic on glass, blackened steel fixtures

50 × 70 cm

19 3/4 × 27 1/2 in

AA010

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Aaron Angell

Scholar – Melon, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic on glass, blackened steel fixtures

48 x 65 cm

18 7/8 x 25 5/8 in

AA015

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Aaron Angell

Worm Organ Painting, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic on glass with gelatin silver print, blackened steel fixtures

45.5 x 61.5 cm

17 7/8 x 24 1/4 in

AA009

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Aaron Angell

Intarsia – shut, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic and precious metal on glass, blackened steel fixtures

45 x 60 cm

17 3/4 x 23 5/8 in

AA011

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Aaron Angell

Northern Renaissance Social Abstract Demonstration, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic and precious metal on glass, blackened steel fixtures

35 x 50 cm

13 3/4 x 19 3/4 in

AA012

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Aaron Angell

Intarsia – Whitefly, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic and precious metal on glass, blackened steel fixtures

50 x 30 cm

19 3/4 x 11 3/4 in

AA013

Enquire

Aaron Angell

Pig, tulip, pig, tulip, pig, tulip, 2025

Hinterglasmalerei (reverse-painted glass)

Acrylic and precious metal on glass, blackened steel fixtures

50 × 30 cm

19 3/4 × 11 3/4 in

AA014

Enquire