NOT ALL ON SHOW: Hinterglasmalerei & Verre églomisé 4-5/2025: ‘Organ Painting’, ‘Bamboo Organ Painting’, ‘Worm Organ Painting’, ‘Intarsia – View’, ‘Intarsia – Shut’, ‘Northern Renaissance Social Abstract Demonstration’, ‘Intarsia – Whitefly’; ‘Pig, tulip, pig, tulip, pig, tulip’; ‘Scholar – Melon’.Oribe 2-5/2025: ‘Melon – Life On Ship’, ‘Abilità Negativa’ (three versions), ‘Tray with Two Capped Heads’, ‘Tray with Clouds’, ‘Gongshi with Carbonised Panis Quadratis’; Shino Americàin & polychrome 2-5/2025 another ‘Caterpillar Engine’, two ‘Flower Baskets’, ‘Tray with Head’, ‘Melon – Life On Ship’
6 June–12 July 2025
Private view: June 5th, 6-8 pm

PRESS RELEASE
NOT ALL ON SHOW:
Hinterglasmalerei & Verre églomisé 4-5/2025: ‘Organ Painting’, ‘Bamboo Organ Painting’, ‘Worm Organ Painting’, ‘Intarsia – View’, ‘Intarsia – Shut’, ‘Northern Renaissance Social Abstract Demonstration’, ‘Intarsia – Whitefly’; ‘Pig, tulip, pig, tulip, pig, tulip’; ‘Scholar – Melon’. Oribe 2-5/2025: ‘Melon – Life On Ship’, ‘Abilità Negativa’ (three versions), ‘Tray with Two Capped Heads’, ‘Tray with Clouds’, ‘Gongshi with Carbonised Panis Quadratis’; Shino Americàin & polychrome 2-5/2025 another ‘Caterpillar Engine’, two ‘Flower Baskets’, ‘Tray with Head’, ‘Melon – Life On Ship’
Aaron Angell (b.1987, London), graduated from the Slade School of Fine Art (2011), He lives and works out of London, United Kingdom. Angell has exhibited internationally, with recent solo presentations including: Hornet…, Holburne Museum, Bath (2021) Shoes, Rob Tufnell, Cologne (2018); Plumb Poltergeist, Art Exchange, Essex (2018); Aaron Angell, Gallery of Modern Art Glasgow, Glasgow (2017) ; Why I built the Cloaca Maxima, Rob Tufnell, Cologne (2017); The Death of Robin Hood, Kelvingrove Art Gallery and Museum, Glasgow (2016); Variations on the Chaldon Doom, Markus Lüttgen, Cologne (2016); Grotwork, Studio Voltaire, London (2015). Recent group shows include: Natura Morta, ILENIA, London (2024); Strange Clay, Hayward Gallery, London (2022); Artifices Instabiles, Nouveau Musée National de Monaco, Monaco (2020); The land we live in, the land we left behind, Hauser & Wirth, Somerset (2018); That continuous thing: artists and the ceramic studio: 1920-Today, Tate St Ives, Cornwall (2017); The British Art Show 8, Leeds City Art Gallery, Leeds (2016); Potteries Thinkbelt, Rob Tufnell, London (2015); ‘Pool’, Kestnergesellschaft, Hanover (2014); As a merman I should turn to be, Laura Bartlett Gallery, London (2014); A History of Inspiration, Palais de Tokyo, Paris (2013); Hides on All Sides, Torrance Shipman Gallery, Brooklyn (2013).
SELECTED WORKS
Aaron Angell
Melon – Life On Ship (1), 2025
Oribe
Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, post-firing acid soak
42 × 62 × 33 cm
16 1/2 × 24 3/8 × 13 in
AA016
Aaron Angell
Caterpillar Engine 13, 2025
Shino Americàin
Reduced English stoneware with iron and feldspathic inclusions, carbon trap shino and polychrome glazes
39 × 70 × 35 cm
15 3/8 × 27 1/2 × 13 3/4 in
AA023
Aaron Angell
Abilità Negativa 3, 2025
Oribe
Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak
35 x 59 x 32 cm
13 3/4 x 23 1/4 x 12 5/8 in
AA019
Aaron Angell
Tray with Two Capped Heads, 2025
Oribe
Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak
35 x 52 x 33 cm
13 3/4 x 20 1/2 x 13 in
AA020
Aaron Angell
Tray with Clouds, 2025
Sang de boeuf Oribe
Reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak
33 x 54 x 39 cm
13 x 21 1/4 x 15 3/8 in
AA021
Aaron Angell
Gongshi with Carbonised Panis Quadratis,
2025
Oribe
Lightly reduced stoneware with feldspathic and hagi sand inclusions, copper saturate glaze, pine needle ash, post-firing acid soak, carbonised bread addition
33 x 59 x 41 cm
13 x 23 1/4 x 16 1/8 in
AA022
Aaron Angell
Flower Basket 3, 2025
Reduced English stoneware with iron and feldspathic inclusions, carbon trap shino and polychrome glazes
32 x 41 x 37 cm
12 5/8 x 16 1/8 x 14 5/8 in
AA024
Aaron Angell
Tray with Head, 2025
Reduced English stoneware with iron and feldspathic inclusions, reconstructed song ‘tianmu’ and polychrome glazes
23 x 53 x 34 cm
9 x 20 7/8 x 13 3/8 in
AA025
Aaron Angell
Bamboo Organ Painting, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic on glass with gelatin silver print, steel fixtures
50 × 70 cm
19 3/4 × 27 1/2 in
AA008
Aaron Angell
Intarsia – view, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic on glass, blackened steel fixtures
50 × 70 cm
19 3/4 × 27 1/2 in
AA010
Aaron Angell
Scholar – Melon, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic on glass, blackened steel fixtures
48 x 65 cm
18 7/8 x 25 5/8 in
AA015
Aaron Angell
Worm Organ Painting, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic on glass with gelatin silver print, blackened steel fixtures
45.5 x 61.5 cm
17 7/8 x 24 1/4 in
AA009
Aaron Angell
Intarsia – shut, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic and precious metal on glass, blackened steel fixtures
45 x 60 cm
17 3/4 x 23 5/8 in
AA011
Aaron Angell
Northern Renaissance Social Abstract Demonstration, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic and precious metal on glass, blackened steel fixtures
35 x 50 cm
13 3/4 x 19 3/4 in
AA012
Aaron Angell
Intarsia – Whitefly, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic and precious metal on glass, blackened steel fixtures
50 x 30 cm
19 3/4 x 11 3/4 in
AA013
Aaron Angell
Pig, tulip, pig, tulip, pig, tulip, 2025
Hinterglasmalerei (reverse-painted glass)
Acrylic and precious metal on glass, blackened steel fixtures
50 × 30 cm
19 3/4 × 11 3/4 in
AA014