INSTALLATION VIEWS

SELECTED WORKS

Daniele Milvio

Pensavo di essere il padrone

delle tenebre, ma in realtá ero

schiavo della mia routine,

2025

aniline and beeswax on wood

50 x 40 cm

19 3/4 x 15 3/4 in

DM038

Daniele Milvio

Di ogni creatura un paio, 2025

aniline and beeswax on wood

50 x 40 cm

19 3/4 x 15 3/4 in

DM040

Daniele Milvio

Meatmare 2, 2025

aniline and beeswax on wood

50 x 40 cm

19 3/4 x 15 3/4 in

DM042

Daniele Milvio

Nemico della sintassi, 2025

aniline and beeswax on wood

50 x 40 cm

19 3/4 x 15 3/4 in

DM037

Daniele Milvio

Er Meneutica, 2025

aniline and beeswax on wood

30 x 40 cm

11 3/4 x 15 3/4 in

DM039

Emil Michael Klein

Untitled, 2026

oil on canvas

175.5 x 125.5 cm

69 1/8 x 49 3/8 in

EMK017

Emil Michael Klein

Untitled, 2026

oil on canvas

140.5 x 145 cm

55 1/4 x 57 1/8 in

EMK018

Emil Michael Klein

Untitled, 2026

oil on canvas

140 x 103 cm

55 1/8 x 40 1/2 in

EMK024

Emil Michael Klein

Untitled, 2026

oil on canvas

100 x 125 cm

39 3/8 x 49 1/4 in

EMK019

Emil Michael Klein

Untitled, 2026

oil on canvas

100 x 120 cm

39 3/8 x 47 1/4 in

(EMK021)

Isabella Costabile

Complete or not complete, 2025

iron and plastic rake, iron acrow prop, iron rim, iron scrap, iron

welding wire spools

115 x 30 x 30 cm

45 1/4 x 11 3/4 x 11 3/4 in

IC001

Isabella Costabile

Feminine lines, 2025

aluminum lampshade, painted lightbulb, iron chicken feeder, iron

chair

115 x 50 x 42 cm

45 1/4 x 19 3/4 x 16 1/2 in

IC002

PRESS

Emil Michael Klein (b. 1982, Munich) has exhibited internationally, with recent solo presentations including: Outline, Ilenia, London (2026); VORHANG, der TANK, Basel (2026); Gemälde, Galeria Federico Vavassori, Milan (2025); Paintings & Sculptures, Bridget Donahue, New York (2024); Emil Michael Klein, Galerie Francesca Pia, Zürich (2023–24); Wall Painting, Ilenia, London (2023); Cross Paintings, Galeria Federico Vavassori, Milan (2021); Mono Cross, Galerie Francesca Pia, Zürich (2020); Curtains, Galeria Federico Vavassori, Milan (2019); Darkotic, Kunsthalle Zürich (2017); Emil Michael Klein, Museum im Bellpark, Kriens (2017); Red, Blue and Black Lines, Gaudel de Stampa, Paris (2017); Blue Line Paintings, Gaudel de Stampa, Paris (2015); Art Unlimited, Art Basel (2013); Signed Abstraction, Galeria Federico Vavassori, Milan (2012); Wanda, Luis Campaña, Berlin (2010); and Art39 (Statements), Nicolas Krupp, Basel (2009). Current and recent group exhibitions include: Ganz kleine, Galeria Federico Vavassori, Milan (2024); Teil 3: Albtraum Malerei, Kölnischer Kunstverein, Cologne (2024); The 3- second Rule Of Thumb, Galeria Federico Vavassori, Milan (2023–24); Part 1: Welcoming the Space, Kölnischer Kunstverein, Cologne (2023); MONOTYPES, Edition VFO, Kunsthalle Zürich (2023); Recent Acquisitions and Eternal Loves – Part I, Nicoletta Fiorucci Collection, La Rose de France, Monte-Carlo (2023); Stop Painting, curated by Peter Fischli, Fondazione Prada, Venice (2021); After Bob Ross – Beauty is Everywhere, Museum im Bellpark, Kriens (2020); Sammlung Longtang, Synnika, Frankfurt (2019); Lampen, Galerie Francesca Pia, Zürich (2018); GLÜCKLICH IST DIESER ORT!, Istituto Svizzero, Milan (2016); Tell the Children, La Salle de bains, Lyon (2012); Wallpower, Claudia Gröflin, Zürich (2010).

Klein’s work is included in the collection of Fondazione Prada, Milano, Italy; Bechtler Siftung, Uster, Switzerland; Centre National des Arts Plastiques (CNAP), Paris, France; Kunstmuseum Bern, Bern, Switzerland; Kunstmuseum Wallis, Sion, Swizterland; Museum Im Bellpark, Kriens, Switzerland.

 

Isabella Costabile (b. 1991, New York, USA) lives and works between Milan and Grosseto. She studied at the Accademia di Belle Arti di Brera, Milan and Zürcher Hochschule der Künste, Zurich. Her sculptural practice develops through the assemblage of found and recovered materials, exploring ambiguity of form, hybrid narratives, and the archaeology of everyday objects. Costabile’s work has been presented widely through solo and group exhibitions internationally. Recent solo exhibitions include Moments of Being, Ilenia, London (2026); It Appears to Be Solid, Édouard Montassut, Paris (2025); Tesori e Inconvenienze, le vite, Milan (2024); and Measuring the Years with Things, Almanac Inn, Turin (2023). Her work has also been included in exhibitions at Centro per l’Arte Contemporanea Luigi Pecci, Prato (2024); Museion, Bolzano (2024); Colorescenze: Artiste, Toscana, Futuro at Centro Pecci, Prato (2024); and in group presentations at le vite, Milan (2024) and Desiderio 23, zaza’, Naples (2023).

 

Daniele Milvio (b. 1988, Genoa), graduated from the Accademia di Belle Arti di Brera, Milano (2011). He lives and works out of Milan, Italy. Milvio has exhibited internationally, with recent solo presentations including: Malvezzo, La Pulce, Rome (2025); Far Cry, Ilenia, London (2024); Red Herring, Amanita, New York (2024); Le faremo sapere, Federico Vavassori, Milan (2023); Melodyne, Weiss Falk, Basel (2022); Danno Erariale, curated by Gigiotto del Vecchio, Fondazione Morra Greco, Naples (2022); Terzultimatum, Galleria Federico Vavassori, Milan (2021); New bronzes and Drawings, Weiss Falk Attic, Basel (2019); A Milano non si usa, Galleria Federico Vavassori, Milan (2018); Brache, Supportico Lopez, Berlin (2017); Mille Furie, Downs & Ross, New York (2017); Schifanoia, Hester, New York (2015); Digos Boia, Hadrian, Rome (2014). Current and Recent group shows include: 8000, Chiesa di San Vittore e Quaranta martiri, Milan (2026); You know and I know, I know and you know, Ilenia, London (2026); Kühe und Pferde, Galerie Oskar Weiss, Zürich (2025–26); Oikonomia, zaza’, Naples (2025); Great Works, Galerie Oskar Weiss, Zürich (2025); Gruss Aus Strahlungen, Etablissement d’en face, Brussels (2025); Watercolours, Chapter III, Weiss Falk at XYZcollective, Tokyo (2023); Greetings, curated by Antonio De Martino and Edoardo Marabini, Galerie Hussenot, Paris (2023); Found Refined Refound, Weiss Falk at Eva Presenhuber, New York (2023); Watercolours Chapter II.2, Weiss Falk, Basel; Our Vampires, curated by Attilia Fattori Franchini, Sperling, Munich (2021); Panorama Procida, ITALICS Art, Procida (2021); It might include or avoid feelings, curated by Attilia Fattori Franchini, Hyphen Projects, Milan (2019); Use Your Illusion, Herald St, London (2018); Tra l’inquietudine e il martello, Galleria Federico Vavassori, Milan (2018); Mycorial Theatre 2016, curated by Milovan Farronato and Paulina Olowska, São Paulo (2016); Granpalazzo, presented by Hester, Palazzo Rospigliosi, Zagarolo (2016); Full-Fall, organized by Davide Stucchi and Mattia Ruffolo, Milan (2015); Duplicatum, Vesselroom, Berlin (2014).